
How Does Voice Recognition Software Work?
The ability of a program to recognize voices has been around longer than you think. Amazingly, this technology began in the 1950s! Thankfully, it has come a long way since...
Up to 50% off sitewide
Work with any type of media
High-res, high efficiency
Track media with confidence
Organize and find files fast
Edit with Oscar- and Emmy-winning tools
Boost your creative flow
Accelerate multicam editing
Design stunning visuals
Finish in the box—or out
Total color precision
Produce dramatic HDR imagery
Create studio-quality soundtracks
The next-generation Avid Media Engine gives you more power and speed, so you can stay focused on what matters most—your story.
Price: $229.00
Choose Version
Media Composer |
Media Composer Ultimate |
|
Ideal for... | Professional editors and movie makers who work independently | Professional editors, movie makers, and journalists who work in a collaborative environment |
Included software options |
|
Media Composer | PhraseFind Option |
Projects | Unlimited, with support for Custom Projects | |
Bins | Unlimited bins Volume bins Favorite bins |
Unlimited bins Volume bins Favorite bins Shared bins and projects |
Video and audio plug-in support | All AVX and AAX plug-ins | |
Transcode | Yes | Yes |
Consolidate | Yes | Yes |
Media Composer |
Media Composer Ultimate |
|
Video tracks |
24 |
24 |
Audio tracks |
64 |
64 |
Data tracks |
Fully supported |
Fully supported |
Linked file support | Full encode and decode | Full encode and decode SD, HD, >HD |
Project formats | SD PAL, SD NTSC, 720, 1080, 2K, UHD, 4K, Custom | SD PAL, SD NTSC, 720, 1080, 2K, UHD, 4K, Custom |
Frame rates | 23.978p, 24p, 25i/p, 30i/p, 50i/p, 59.94i/p, 60p | 23.978p, 24p, 25i/p, 30i/p, 50i/p, 59.94i/p, 60p |
Native compression | JFIF, DV, ProRes (encode on Mac only), XDCAM, AVC-I, IMX, DNxHD, DNxHR, XAVC-L, AVC-LongG, J2K | JFIF, DV, ProRes (encode on Mac only), XDCAM, AVC-I, IMX, DNxHD, DNxHR, XAVC-L, AVC-LongG, J2K |
Color spaces | 601/709, RGB 709, S-Log3, SMPTE-2084, DCI-P3, Rec. 2020, ACES Proxy | 601/709, RGB 709, S-Log3, SMPTE-2084, DCI-P3, Rec. 2020, ACES Proxy |
Desktop display LUTs | Rec. 709, DCI-P3, sRGB, Rec. 2020, ACES Proxy | Rec. 709, DCI-P3, sRGB, Rec. 2020, ACES Proxy |
Media Composer |
Media Composer Ultimate |
|
Audio resolutions |
32, 44.1, 48, and 96 kHz; 16- and 24-bit |
32, 44.1, 48, and 96 kHz; 16- and 24-bit |
Audio channels | Mono, dual mono, stereo, 5.1 and 7.1 surround | Mono, dual mono, stereo, 5.1 and 7.1 surround |
Video editing |
Best-in-class Trim tools |
Best-in-class Trim tools |
Multicam editing | Group Clips MultiGroup 4-Way Split Display 9-Way Split Display MultiCam Editing mode MultiCam Accelerator keys Swap Banks Previous/Next in Group Group by Audio Waveforms |
Group Clips MultiGroup 4-Way Split Display 9-Way Split Display MultiCam Editing mode MultiCam Accelerator keys Swap Banks Previous/Next in Group Group by Audio Waveforms |
Video effects | Full core set Source Side Motion Effects TimeWarp TimeWarp Fluid Motion Stabilize |
Full core set Source Side Motion Effects TimeWarp TimeWarp Fluid Motion Stabilize |
FrameFlex | Yes | Yes |
Timecode tool | Yes | Yes |
Print Timeline | Yes | Yes |
List tool | Yes | Yes |
Film workflows | Yes | Yes |
Stereoscopic 3D | Yes | Yes |
Color Correction | CC Effect Predefined CC Effects HSL Controls Hue Offsets Luma Range Curves Color Info Channels (Secondary and Relationships available through the Symphony Option) |
|
Audio editing | Audio Tool Audio Ducking Audio Punch-in Audio Subframe Slip Audio Grouping Read Audio Timecode Audio MultiMix Change Sample Rate |
|
Audio effects | Full core set | Full core set |
Workspaces | Custom Single View Source/Record Editing Full Screen Playback Effects Editing Color Correction Audio Editing Capture |
|
Titles | Classic Title tool Marquee tool |
Classic Title tool Marquee tool |
Background render, transcode, and consolidate | Yes | Yes |
Settings | Full User settings Multiple Users settings Site settings Project settings |
Full User settings Multiple Users settings Site settings Project settings |
Keyboard Mapping | Full | Full |
Source/Record color differentiation | Off by default | Off by default |
Snap to Edit | Off by default | Off by default |
Auto-launch Effects Editor | Off by default | Off by default |
Video and audio plug-in support | All AVX and AAX plug-ins | All AVX and AAX plug-ins |
Avid Marketplace | In-app AAX and AVX Marketplace and software upgrade |
Media Composer |
Media Composer Ultimate |
|
Source Browser | Yes | Yes |
Drag-and-Drop Import |
Yes |
Yes |
Drag-and-Drop Link | Yes | Yes |
Photoshop w/Layers | Yes | Yes |
Capture | Yes | Yes |
Dynamic Media Folders | Yes | Yes |
AAF Import | Yes | Yes |
EDL Import | Yes | Yes |
ALE Import | Yes | Yes |
Shot Log Import | Yes | Yes |
SCC Import | Yes | Yes |
Edit While Capture | Yes | Yes |
Media Composer |
Media Composer Ultimate |
|
QuickTime (.mov) formats | Yes | Yes |
Publish to YouTube |
|
|
Publish to Vimeo | ||
Graphic Export | Yes | Yes |
AAF Export | Yes | Yes |
ALE Export | Yes | Yes |
AFE Export | Yes | Yes |
Shot Log Export | Yes | Yes |
SCC Export | Yes | Yes |
TTML Export | Yes | Yes |
AMA File Export | Yes | Yes |
DPX Export | Yes | Yes |
AS-11 MXF OP1a Export | Yes | Yes |
DNxHD MXF OP1a Export | Yes | Yes |
DNxHR MXF OP1a Export | Yes | Yes |
J2K MXF OP1a Export | Yes | Yes |
Export to Device | Yes | Yes |
Send to... | Yes | Yes |
Media Composer |
Media Composer Ultimate |
|
Avid Artist | DNxIQ | Yes | Yes |
Avid Artist | DNxIV |
Yes |
Yes |
Avid Artist | DNxIP | Yes | Yes |
Avid Artist | DNxID | Yes | Yes |
Avid and third-party audio interfaces | Yes | Yes |
Third-party video interface | Yes | Yes |
Pro Tools | Control | Yes | Yes |
Pro Tools | Dock | Yes | Yes |
Artist Control | Yes | Yes |
Artist Mix | Yes | Yes |
Artist Color | Yes | Yes |
Artist Transport | Yes | Yes |
Media Composer | Symphony Option | Yes | Yes (Included) |
Media Composer | NewsCutter Option | Yes | Yes (Included) |
Media Composer | ScriptSync Option | Yes | Yes (Included) |
Media Composer | PhraseFind Option | Yes | Yes (Included) |
Media Composer | Production Pack | Yes | Yes |
Interplay | Production | Yes | |
Interplay | MAM | Yes | |
MediaCentral | Yes | |
MediaCentral | Cloud UX | Yes | |
Avid NEXIS shared bins and projects | Yes | |
iNEWS | Yes |
Work with any type of media
High-res, high efficiency
Track media with confidence
Organize and find files fast
Edit with Oscar- and Emmy-winning tools
Boost your creative flow
Accelerate multicam editing
Design stunning visuals
Finish in the box—or out
Total color precision
Produce dramatic HDR imagery
Create studio-quality soundtracks
The next-generation Avid Media Engine gives you more power and speed, so you can stay focused on what matters most—your story.
Payment Methods We Accept
Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.
Return Policy
We offer a 30 day Return Policy if the following requirements ARE met:
1. The Software License Key(s) have NOT been revealed.
2. The Order is NOT greater then 30 days old.
In the rare case there is an error on our part including our advertising, order process, etc, this will also qualify for a return.
Returns can be requested by logging into your account here.
If the above requirements ARE NOT met:
The sale is considered final and cannot be returned.
This is standard return procedure for Software no matter where you purchase it.